20471120

During the 20471120 and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks, 20471120.

Alluding to the future, as the name indicates the 20th of November, , the founders have taken cues from deconstructionist design paired with a dramatic affinity to fictional worlds. Collaterally to their product design, presentations were understood as performance art. While fashion shows are usually exclusive to industry people, 20 saw them as get-togethers of its devoted community. Thus, tickets were available for purchase, having led to audiences of over fans. In , co-founder Nakagawa felt overwhelmed by the speed of production, identifying the need to break the vicious cycle. Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise.

20471120

Two, zero, four, seven, one, one, two, zero. What do these numbers mean? In I thought that there will be a world where diversity and individualism are advancing as fast as computers and mobile progress. I thought that individualism and expression would have become the mainstream of fashion. And when I thought of the brand name, I felt that the numbers of that year represented a future of diversity, individuality, and creativity. The book '' by Masahiro Nakagawa documents the history of while masterfully capturing its essence. He is also diffused into other similar characters, like him with bunny ears, or a panda face. Towards the end of the book is a flowchart depicting a service the brand provided called the Tokyo Recycle Project System, a Margiela-esque process that reconstructs garments and repurposes them into something new. Its playful nature fit perfectly with the aesthetic, becoming synonymous with it in the process. Beyond the wacky concepts and mesmerizing charm, I feel that Mr. We are already seeing a huge shift in the way people express themselves, especially due to technology. We will just have to wait until November 20th, to find out. Writer: Zack. Issey Miyake, Photography by Irving Penn, Date Published.

I build a collection 20471120 piecing together similar important events and social problems going on during that year. Two, zero, four, seven, one, 20471120, one, two, zero. Writer: Zack.

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Circus, amusement park, Evangelion Because there are some things that I want to convey. The right page is a huge handmade object placed on the 2nd floor of a shop in Tokyo. These are the faces behind The big mask is a purchasable item in the studio. Objects like horse legs are also on the second floor of the shop. The photo above is Choro-Q sleeping soundly on a chair. As shown in our previous article based on Store Interiors , we see a more in depth analysis on the philosophy of the store design along with words from Masahiro on why he went such a path. Customers get to know each other. LICA talks about the charms or attractions of displays.

20471120

During the 90s and early s it was a powerhouse, enchanting the fashion-savvy youth and making headlines in Paris and Tokyo fashion weeks. Due to its resurgence in popularity amongst the archive community we thought it necessary to get more information on the brand and its creator Masahiro Nakagawa. We have conducted a short interview with Nakagawa himself to help bridge the gap between the past and the present. So Mr. Nakagawa I want to first ask you what your childhood was like. How do you think your childhood shaped your interest in art and fashion? I also had a lot of monster and Ultraman toys including transformation belts and accessories. These interests helped shaped my future artistic direction and vision in fashion. When you first started your brand in who were some fashion designers you looked up to and why, do you remember the first time you wanted to become a designer, what inspired that desire? I was inspired by many designers and visual artists as well.

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Bringing BAPE to a new light. Skip to content. Two, zero, four, seven, one, one, two, zero. What about Hyoma represented and its brand vision? Do you think there was a common similarity between these brands and yours that drew young people to them? What were your references for your collections? View fullsize. In I thought that there will be a world where diversity and individualism are advancing as fast as computers and mobile progress. Eventually, its progressive ethos marked the end of , as Nakagawa saw it as an independent enterprise. These interests helped shaped my future artistic direction and vision in fashion. I had lots of Designers I admired because they created a new style to change with the times.

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Press Esc to cancel. I think the theme would be the same but the approach will be different. What are some of your favorite more current animes? Its playful nature fit perfectly with the aesthetic, becoming synonymous with it in the process. Riviere Fougy Nov 22, What were your references for your collections? Collaterally to their product design, presentations were understood as performance art. Clothing , Ura-Hara Guest User January 18, japanese , subculture , original , culture , japan , punk , urahara , hiroshi fujiwara , fragment design. We will just have to wait until November 20th, to find out. Writer: Zack.