80s rhythm and blues

The genre of rhythm and blues used to be its own genre, 80s rhythm and blues, but in the '80s, it began to incorporate elements of hip hop into the music. This was all thanks to producer L. Reid, who produced some of the biggest hits of the era.

With his pop-oriented soul, Michael Jackson was of course the biggest star of the decade. Purple Rain. Prince The Revolution. Never Too Much. Luther Vandross. The Ultimate Luther Vandross. Billie Jean.

80s rhythm and blues

The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early s, it was frequently applied to blues records. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music. By the s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk. It combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music. Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in the United States in , [3] the term had been used in Billboard as early as According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control.

Just plant your both feet on each side.

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Record companies and music trade magazines have used various labels to market and chart the sales of music recorded by Black artists since the s. Company executives, in the context of a segregated society, initially assumed that African Americans were the sole consumers of this music, including blues, jazz, gospel, spirituals, novelty, and pop songs. African Americans were the first to use this term in , the mainstream press, Billboard and the broader music industry then adopted this label in In the s and into the early s, Black popular music evolved in so many different directions that it prompted yet another label change. Simultaneously, MTV became an important media outlet for broadening the consumer base for Black popular music. MTV Raps. This marketing term describes a hybrid or fusion style that often blends past and current traditions with new musical concepts and advanced technologies.

80s rhythm and blues

The term 'Rhythm and Blues' was first introduced into the American lexicon in the late s: the name's origin was created for use as a musical marketing term by Billboard magazine. In , then- Billboard magazine reporter Jerry Wexler who later went on to become an influential music producer created the term for Billboard to designate upbeat popular music performed by African American artists that combined Blues and Jazz. In the s, Rhythm and Blues music was associated with Black youth in honky-tonks and after-hours clubs, and it was often dismissed as a lowbrow style of art compared to Jazz's more highbrow form of Black expression. By the s, the term rhythm and blues expanded to become a blanket term that included both soul and funk forms of music.

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Archived from the original on February 26, Somebody's Watching Me. What's Love Got to Do with It. The precursors of rhythm and blues came from jazz and blues, which overlapped in the lates and 30s through the work of musicians such as the Harlem Hamfats , with their hit "Oh Red", as well as Lonnie Johnson , Leroy Carr , Cab Calloway , Count Basie , and T-Bone Walker. The Latin Tinge. Fact-checked by: Coley Reed. Let It Whip Single Version. I Want to Be Your Man. Then throw your body back and ride. Anita Baker. Marvin Gaye was also a major artist of the time, and plenty of people still turn on his music when they are in the mood for romance. Soul Train.

The genre of rhythm and blues used to be its own genre, but in the '80s, it began to incorporate elements of hip hop into the music.

Retrieved December 25, Then throw your body back and ride. Bush, "Geno Washington" , Allmusic. Retrieved June 29, Jazz [1] blues [1] [2] spirituals [1] gospel [1] [2] boogie-woogie [2] jump blues [2] swing [2]. Midnight Love. Retrieved May 21, Harvard University Press. Archived from the original on October 23, Wikiquote has quotations related to Rhythm and blues. In the late s and early s, hip-hop started to capture the imagination of America's youth. Lot of kids got hurt".