Better call saul all black and white scenes

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline.

Shadows and darkness feel more imposing in black and white. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. Better Call Saul is a captivating tale of questionable morality. Saul Goodman Bob Odenkirk is a clever but unscrupulous conman turned lawyer whose survival depends largely upon his singular ability to talk his way out of dangerous situations.

Better call saul all black and white scenes

Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white. The first episode of each season — apart from season 6 — has done the same as it explores the life of Gene Takavic, the alias of Jimmy McGill post-Breaking Bad, revealing tiny slivers of information about his new life in Omaha, Nebraska. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white. However, this has left Better Call Saul fans with questions, with many asking exactly why the series makes use of black and white scenes. The very first scene of Better Call Saul takes place in black and white as the series catches fans up on the current whereabouts of Jimmy McGill, aka Saul Goodman, following the events of Breaking Bad. In the final season of the original show, Jimmy was forced to go into hiding and is now living with a new identity, Gene Takavic, in Omaha, Nebraska, where he now works as the manager of a Cinnabon store. The first episode of each Better Call Saul season — apart from season 6 — has featured similar scenes, expanding on the life of Gene Takavic and how his mundane job is a far cry and his days as the shady lawyer to the criminal underworld, Saul Goodman. This shows that Jimmy felt his life as Saul Goodman was vibrant and made him feel alive while his existence as Gene Takavic feels like a bleak and empty shell. During the heist in season 6, episode 10, Gene even reveals some of his feelings to Frank the security guard in an attempt to buy more time. As she was a new character for the prequel and is absent from Breaking Bad, fans have long pondered her fate. Season 6 of Better Call Saul finally confirmed that Kim does not die but instead ends her relationship with Jimmy and leaves Albuquerque as she believed the pair were too destructive together. Featured TV.

In the final season of the original show, Jimmy was forced to go into hiding and is now living with a new identity, Gene Takavic, in Omaha, Nebraska, where he now works as the manager of a Cinnabon store. The better call saul all black and white scenes of Saul's life, Kim Wexler Rhea Seehornshares Saul's stellaris guide and knack for duplicity but lacks his growing willingness to hurt the innocent if it might mean helping himself. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman.

The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. The post- Breaking Bad timeline sees Jimmy live a quiet life as a humble Cinnabon manager, but it's clear that Saul Goodman is still in there, desperate to get out. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman.

This week marked the end of an era, as Better Call Saul signed off after six seasons, effectively closing the book on the Breaking Bad universe in the process. The final few episodes took place mostly during the post- BB timeline, where Saul Goodman was going by the alias Gene Takavic. The installments were notably presented in black and white though, interestingly, there were a handful of colorized moments. Now, series co-creator Peter Gould has shed some light on the meaning of those sweet, artistic flourishes. In the more recent episodes, there were a few other instances in which color popped in. His nostalgia for Saul, not for Jimmy. I wanted to make sure everyone was watching the wonderful performances by Bob and Rhea and not getting distracted by technical artifice. Each use of color is a little bit different. It just felt right.

Better call saul all black and white scenes

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Ozymandias in Breaking Bad. After Walter White is revealed to be Heisenberg and the DEA starts coming after him, Saul is compromised and forced to abandon his life in Albuquerque. He becomes Gene, a Cinnabon manager in Omaha, and hopes to live a peaceful life and avoid the authorities. Be sure to search for Twinfinite for more BCS-related coverage, including the questions we have going into part 2 of season 6 , and check out our trivia and personality quizzes as well. Skip to content Category: Guides. Fast times at the Cinnabon in Omaha.

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Fast times at the Cinnabon in Omaha. Strangelove as a way of comparing the dark irony in each work. The focus on the machinery and the baking process is a masterful piece of direction and cinematography that both establishes Jimmy's new life, and reminds the viewer of how he got there. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman. We see him scramble for the box from the perspective of the hidey-hole itself, the shadows cloaking the majority of the shot, framing Saul with a relatively small square of light. Without Kim to remind Saul to consider the repercussions of his actions, he devolves from an occasionally empathetic huckster into a fully self-serving charlatan and accomplice to the budding drug kingpin, Walter White Bryan Cranston , as seen in Breaking Bad. Saul finishes confessing and tells those around him that he is Jimmy McGill, the name he was born with, a final sign that he is trying to be fully honest. The walk-in wardrobe of garish shirts, the golden toilet, the mirrored ceiling, and swimming pool are a lifetime away for Jimmy now. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. Season 6 of Better Call Saul finally confirmed that Kim does not die but instead ends her relationship with Jimmy and leaves Albuquerque as she believed the pair were too destructive together. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness.

Here is what you need to know about it. He is now known as Gene Takavic, a balding, paranoid manager of a Cinnabon Branch located in a shopping mall in Omaha, Nebraska.

Better Call Saul season 6 broke with tradition by opening in full color, after a masterful transition from black and white to technicolor via Saul Goodman's flamboyant tie collection. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. Paul Fogarty. We see him scramble for the box from the perspective of the hidey-hole itself, the shadows cloaking the majority of the shot, framing Saul with a relatively small square of light. Though Saul glimmers brightly as a glitzy lawyer amid murky moral grays, he finds a moment of redemption in the stark contrast of monochrome. The love of Saul's life, Kim Wexler Rhea Seehorn , shares Saul's cleverness and knack for duplicity but lacks his growing willingness to hurt the innocent if it might mean helping himself. Enlisting Jeff in his Cinnabon mall scam to get the leverage he needed to stop Jeff going to the cops initially seemed like a good idea, until Jimmy's addiction to the grift took over. Nick Rivera Nick Rivera Mar 21, When he is finally in prison, Kim meets with Jimmy in his cell. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. Once Saul is caught and confined to a holding cell, we see more of the imposing black and white framing. While Kim and Jimmy were together when he took the name Saul Goodman, it was their separation that completed the transformation. Saul's rage and self-centered mindset precludes him from acts of contrition, and he instead pounds the door with his fist while chastising himself. When Saul speaks of his deceased brother Chuck, we see from the odd perspective of an exit sign, which buzzes with electricity, the same kind of hum that tormented Chuck while he was alive. Rather than being a link back to his life as Saul, it's a link back to his life as the conman "Slippin" Jimmy McGill trying to reform by becoming a good lawyer, a good husband, and a good man, rather than Goodman.