Canon powershot sx50 hs lenses

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Photo Review. Buy this camera if: — You want a super-zoom that can record raw files and provides most of the controls and functions offered in serious DSLR cameras. Offering 50x optical zooming, it retains the Source: Canon. The zoom is powered and driven by a conventional lever surrounding the shutter button, making it straightforward to operate.

Canon powershot sx50 hs lenses

Of course such a lens for a DSLR would be very large, very heavy and very expensive - if it could be built at all. They've been around on consumer video cameras for a while. The trick is, of course, that they aren't actually mm lenses. They are mm "35mm equivalent" lenses in that they provide the same angle of view or "reach" or "magnification" as a lens of that focal length range mounted on a camera with a 24mmx36mm sensor. That makes the lens much more practical to make. It can even be made small, light and fairly inexpensive. Of course the question is can it also be made reasonably sharp - and the answer, as we will see, is yes it can. The lens is not interchangeable, though with a range from 24mm to mm there's really no reason why it should be. The sensor is small, which makes the camera and lens small. It also places some limts on performance as we will see later. As a bridge camera the SX50 HS offers more features than found on smaller and less expensive digicams. It offers more user controlled options for those who want to access its full capabilities, as well as many fully auto and scene modes for the less experienced photographer.

On average you can shoot about 1 JPEG every 2 seconds in single shot mode, so continuous mode is about 4x faster. There's a single card slot next to the battery and there is no internal memory in the camera. Close-up performance was competent, canon powershot sx50 hs lenses, although at the extreme ends of the Macro range, shots were slightly softer than expected.

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Canon powershot sx50 hs lenses

Our expert, award-winning staff selects the products we cover and rigorously researches and tests our top picks. If you buy through our links, we may get a commission. Reviews ethics statement. The SX50 HS packs one of the longest zoom lenses currently available and has some very good photo quality to back it up. That's an extraordinary range that is quite capable of pulling into frame something miles away and snapping a shot. Or capturing wildlife from afar. Or helping your neighbors find their car keys inside their house from inside your house. OK, that last one's a bit of an exaggeration, but you get the idea. And while you'll want to use a tripod for the sharpest results, Canon's optical image stabilization is excellent, allowing you to use the zoom with the camera held only in your hands. Outside of the lens, though, its features and performance are just a little better than its predecessor, the SX40 HS , and slightly behind competing models.

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When released the lens zooms back in to the original setting. Examples are provided below. Basically, the SX50 HS is best suited for outdoor use in full daylight, but if you plan to use this camera for shooting indoors or in low light, you'll want to be wary of using sensitivities above ISO The SX50 HS addresses both of these issues. As in previous SX-series models, autofocusing and zooming are driven by ultrasonic motor USM and voice coil VCM motor technologies, which provide smooth transitions between focal lengths and fast and quiet autofocusing. This includes changes to shutter speed and aperture; notably absent is a thumb dial for doing these things. We found such to be the case with the SX50 HS we received to review. However I'll give a brief overview. It's not a DSLR, but used with some skill it can yield very good images. Though there is more graininess, you do get better fine detail. Now down to details.

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Auto correction for CA sometimes leaves details a little low in contrast and still slightly smeared, but the effect is mainly confined to the edges of the image and even there it's typically only visible at high screen magnification of in large prints. You'll find full manual and semimanual shooting modes. Conclusions The exceeded my expectations. OK, that last one's a bit of an exaggeration, but you get the idea. Other options are single-frame and continuous AF. It's something to watch for and can be prevented by either dialing in a small amount of -ve exposure compensation or by utilizing the Dynamic Range Correction i-Contrast function which can be set to one of two strengths or set to "auto". They remember mode settings, focal length settings, ISO settings and just about any other user adjustable parameter. There are also one-touch movie record and AF setting buttons. When you don't want to drag 20lbs of gear on a hike, you can take the SX50 HS and have a good chance of coming back with images that, as smaller prints, many people might not be able to distinguish from those shot with the DSLR, especially if you shoot RAW images at low ISO and properly optimize them. Once the subject is located, releasing the button zooms the lens back to its telephoto focal length.

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