Confessions of a video vixen pdf

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Confessions of a video vixen pdf

In the world of entertainment, video vixens have long captivated audiences with their stunning beauty, captivating dance moves, and presence in music videos. Behind the glitz and glamour, however, lie tales of both triumph and tribulation that paint a vivid picture of the life of a video vixen. Music videos underwent a transformation over the years, evolving from basic performances to visual spectacles. Video vixens became an integral part of this transformation, adding a new layer of visual appeal. As music videos gained prominence, some video vixens found themselves catapulted into celebrity status. The likes of Melyssa Ford and Vida Guerra became household names, their presence in music videos contributing to their fame. While music videos showcased a world of glitz and glamour, behind the scenes, video vixens faced grueling hours of rehearsals, costume changes, and demanding choreography. The debate between objectification and empowerment surrounded the video vixen industry. Some saw it as a means of empowerment, allowing women to control their image and capitalize on their beauty. Video vixens often faced immense pressure to maintain a certain body image, leading to unhealthy habits and body dysmorphia. Many video vixens spoke out about the lack of respect they received in the industry.

Those divisive systems of oppressions enter our own messy intersectional identities, forcing us to question the categories assigned to us and avowed on the basis of religion, gender, race, class, sexuality, geographic location, body type, beauty, ability, etc. Karrine Steffans - Author. Languages English.

By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. The video vixen holds a special place in American society's underbelly. Good hair, firm breast, round ass, slim waist, and pouty mouth, she is beautiful according to European and African American standards. She personifies sex.

Part tell-all, part cautionary tale, this emotionally charged memoir from a former video vixen nicknamed 'Superhead' goes beyond the glamour of celebrity to reveal the inner workings of the hip-hop dancer industry—from the physical and emotional abuse that's rampant in the industry, and which marked her own life—to the excessive use of drugs, sex and bling. Once the sought-after video girl, this sexy siren has helped multi-platinum artists, such as Jay-Z, R. Kelly and LL Cool J, sell millions of albums with her sensual dancing. In a word, Karrine was H-O-T. But the film and music video sets, swanky Hollywood and New York restaurants and trysts with the celebrities featured in the pages of People and In Touch magazines only touches the surface of Karrine Steffans' life. Her journey is filled with physical abuse, rape, drug and alcohol abuse, homelessness and single motherhood—all by the age of By sharing her story, Steffans hopes to shed light on an otherwise romanticised industry and help young women avoid the same pitfalls she encountered. If they're already in danger, she hopes to inspire them to find a way to dig themselves out of what she knows first-hand to be a cycle of hopelessness and despair. Karrine Steffans is a former hip hop music video feature star who made the transition into film as an actress co-starring opposite action star Vin Diesel and veteran actor Lorenz Tate in the hit film, A Man Apart.

Confessions of a video vixen pdf

We will keep fighting for all libraries - stand with us! Search the history of over billion web pages on the Internet. Capture a web page as it appears now for use as a trusted citation in the future. Better World Books. Uploaded by station Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest. Sign up Log in. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book.

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Aundrea Burrell. My goals here are to: 1 generate different perceptions and standpoints of the same experience Conquergood 9 ; 2 use critical reflexivity to engage my story as a form of resistance and provide a fluid, open text to perform variation and test the limits of certainty Holman-Jones and Adams ; Gingrich-Philbrook ; Madison 32; Pollock ; and 3 trouble boundaries of binary labels attached to gender, class, sexuality, and race, and the ways in which markers of authenticity, desire, and positionality influence our perceptions of self Boylorn It appalled me the things she did. Damn them bitches fine. Search the history of over billion web pages on the Internet. Balancing the demanding schedules of the entertainment industry with personal life can be challenging, requiring careful time management. Language English. Video vixens often faced immense pressure to maintain a certain body image, leading to unhealthy habits and body dysmorphia. By Karrine Steffans. I wanted to live where they lived and do what they do. How has social media affected the video vixen industry? Gender futurity, intersectional autoethnography: Embodied theorizing from the margins Narrative embodiment of Latinx queer futurity: Pause for dramatic affect. She spoke out on a lot of people but she also incriminated herself. How she treated her son, I felt so bad for that little one , her family helped her out and when they stopped she was talking how everybody never helped her. Save Flyy Girl for later.

More titles and copies may be available to you. Sign in to see the full collection. Part tell-all, part cautionary tale, this emotionally charged memoir from a former video vixen nicknamed 'Superhead' goes beyond the glamour of celebrity to reveal the inner workings of the hip-hop dancer industry—from the physical and emotional abuse that's rampant in the industry, and which marked her own life—to the excessive use of drugs, sex and bling.

Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Amber Johnson. Ebooks selected Audiobooks Magazines Podcasts Sheet music. Johanna F. Sexual knowledge and practiced feminisms: On moral panic, black girlhoods, and hip hop. Men began taunting us. But by the following morning, I had forgotten most of it. The crowd was very stuffy, and I found myself yawning in between conversations with a concert pianist and a score composer. One who sells his or her body for cash? Text and Performance Quarterly I drank the nectar from dollar bottles of store bought liquor as if it were ambrosia.