Daisy hoppen

Our newly single British heroine, who runs her own fashion PR company, has just moved to a flat overlooking Highbury Fields in north Daisy hoppen when the pandemic strikes. Every morning at 7, daisy hoppen. After a few weeks, Vincent offers a smile as Daisy jogs past. One morning in AugustVincent stops Daisy, introduces himself, and informs her that she is wearing the wrong type of trainers.

My father collects stuffed animals: we had a full-scale crocodile in the hallway, and love birds in a giant cage; our cat would sleep on top of it. We also had things like old fairground memorabilia, a jukebox, big velvet sofas and large Moroccan rugs. It was eclectic but very beautiful. Growing up, there were lots of forward-thinking photographs on the walls. But the art and photography at home were always changing because he would often buy things and then sell them on. But Vincent has brought me round to the idea of clean spaces.

Daisy hoppen

With a sense of confusion, a designer asks themselves the question: do I need a PR? The answer, more often than not, is a series of questions. What for? Why now? Having grown up in South London, daughter of the renowned photography gallerist Michael Hoppen, she studied at the University at Leeds before immersing herself in the world of PR, first for a jeweller, then at Purple PR, followed by Karla Otto. Meanwhile, she worked for a few clients solo, including Dover Street Market. Today, her agency represents a varied roster including Molly Goddard, Simone Rocha, Rejina Pyo, and Ganni among others across fashion, skincare, and furniture. Taking a more boutique approach to PR after working for a company with over 80 clients and offices in over 10 cities worldwide, Hoppen is the perfect person to ask about the slightly mysterious realm of fashion. Daisy Hoppen: We are very lucky that we have worked with a lot of brands since day one of their business. I am always looking for new talent, but it does not have to be from day one.

Growing up, there were lots of forward-thinking photographs on the walls.

DH-PR work with a global network of Talent, Influencers, Industry Figures, Creative and Editors spanning a range of projects including seeding, red carpet dressing, and event attendance. We plan each project with a bespoke approach, tailored to the needs of individual clients, through curated strategies and creative networks. Values Statement To always be kind, conscious and inclusive. Mission Statement To strive to always better ourselves and the industry we contribute to, and apply a bespoke and considered approach to all that we do. We commit to an inclusive and representative mix of participants without our projects and to being an equal opportunity employer. We recognise that we have a responsibility to the environment beyond legal and regulatory requirements.

Curated by Francesca Gavin and part of a wider programme around sustainability, the exhibition looks at the organism in visual culture, as well as the fantasy, psychedelic and spiritual fascination that we have with it — from eating it in a delicious plate of food to out-of-body experiences. Everybody has their own tales to tell about the humble mushroom. When Somerset House approached me to do a show it was a natural fit with their current focus on ecological awareness. The results are so varied and touch on everything from poetry to economics to ideas around communication, climate and the psychedelic experience. Another, more personal, reason that Gavin decided to curate this exhibition has to do with her upbringing. There is such a large conversation around fungi at the moment, in terms of sustainability and design and technology — essentially growing products into shapes with very little waste, and biodegradable — which makes the show feels timely. Humans share DNA with fungi — we had a common single cell ancestor. The largest organism in the world is a mushroom! The facts just blow my mind. She also works in house with a small number of brands, companies and personalities across fashion, art and culture.

Daisy hoppen

The larger institutions always have blockbuster shows on for summer — do book now for the long-anticipated Cindy Sherman solo exhibition at the National Portrait Gallery, as well as Lee Krasner: Living Colour at the Barbican. Founded by Katy Hessel, The Great Women Artists presents a show with Victoria Miro featuring three young female artists who rethink traditional genres to touch upon themes of migration, women in the workplace and the gendered language of painting. Finally, Flora Yukhnovich , who is also based in London and reimagines the dynamism of the Rococo world and 18th-century artists through large-scale paintings. Having started as an Instagram account originally, thegreatwomenartists celebrates female artists, ranging from recent graduates to Old Masters. Wolfgang Tillmans at Maureen Paley: until July The London gallery presents a new show by her longtime collaborator, artist and photographer Wolfgang Tillmans.

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I have them with hot sauce — and I have more than anyone could ever need. Interviews — Dec Independent retailers are suffering. Is it Apple News? O: In the last three years, what changes do you think affected emerging designers the most? It was eclectic but very beautiful. If you know someone who works for one of the brands, ask them for their honest opinion. That is the best place to start with your strategy. I am aware that I am only one person, other people have a different sense of style, tastes and things like that. Lucy Moore, who runs Claire de Rouen gallery, introduced me to her work. As for the dress?

Agenda-setting intelligence, analysis and advice for the global fashion community. This London Fashion Week, British musician Skepta relaunched his fashion label, Mains, with a buzzy tennis-themed catwalk presentation where Stormzy, Louis Theroux and Naomi Campbell all sat front row.

The bride and her father, the gallerist Michael Hoppen. Is there one magazine that you really love? And so I decided to go for it. Same with Sarabande, or the BFC. And I felt really, really, really happy. Quite often they ask how they can make this up. D: It comes down to your brand. O: If you are already working with an agency, how can you evaluate the work they do? Maybe on the actual day the brief changed, or they had to fit another advertiser — you can definitely feel free to ask these things. As for the dress?