Dual super lead

The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. The amp can move between two sounds within dual super lead gain channel, so that players can create and release their personality through sound, dual super lead. There are two master volume functions so you can bring your solo to the forefront. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style.

Updated: Jul 8, I finally decided to give my trusty, over ten years old, Marshall JCM DSL a review - after so many years of great service, I think the world needs to know. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. Like most Marshalls, the two preamp channels are powered by 12AX7 tubes, one for the clean channel, two for the dirt channel and one for phase inversion. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s. Needless to say, as with all serious tube amps, the overall sound and feel of that amp can vary depending on the tubes you load it with, your guitar output and anything between your guitar and the amp. The clean channel, as I learned to expect and respect from a good Marshall tube amp is not super clean, especially when fed with a relatively hot signal.

Dual super lead

It is a dual super lead DSL amp that comprised of two basic channels clean and drive and mine as you can see was a 'special edition' from Marshall. In every respect, other than the green tolex covering this amplifier was exactly the same as the standard black tolex amp. I would recommend you find one that was UK made it says on the amp where they are made so there is no question about quality. This dual super lead amp seemed to be marketed as a 'budget' amp and certainly had that feel to me but hey it's a Marshall right? There's all the usual stuff we'll get in to later in the actual review such as effects loop etc. This DSL was never used for any recordings. Indeed I don't even have any real video footage. What's wrong with the DSL then? I don't think there's anything 'wrong' with this amp but I am not sure of the current non UK built ones re reliability and tones but for me it never did actually sound that great and 'felt' wrong when I played it. Sure it's a tube amp with EL34's in there but I tried many things to resolve that problem of the feel, but ultimately this amp was sold. All of that is subjective though, what I don't like you might! But I do have lots of practice with amplifiers so do bear that in mind. The amp features a 'classic gain' and what Marshall called an 'ultra gain' channel, eq and reverb as standard.

The original 'it girl' of the amp world, dual super lead, the JCM is truly unforgettable. Sunn Model T Amplifier Head Be sure to check out the sound samples below and if this post was helpful, show some love by clicking the little heart at the bottom and share.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips. Each channel is equipped with a three-band EQ, presence, and reverb, offering you the ability to fine-tune your sound to perfection. But that's not all - each channel also features two distinctive modes: the Classic Channel offers Clean and Crunch options, while the Ultra channel provides separate Leads, essentially rendering the sounds of four amps in one compact head. This is quality gear at a fair price point, suitable for beginners, hobbyists, and pros alike.

Wide range of classic Marshall tones - from crystalline cleans to high gain heaviness. Power switching. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. From Hendrix to Slash , Iron Maiden to Spinal Tap - if guitar royalty has one thing in common, it's that they all bow down to the majesty of Marshall guitar amplifiers.

Dual super lead

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here. Marshall Home Live for Music History.

Cranebrook nails

Well at least when we're talking about the roots of metal and less about modern metal. However, be aware that changing preamp tubes can significantly change the amount of headroom you get from the preamp and changing speaker can take you even further, if that's what you want. There's all the usual stuff we'll get in to later in the actual review such as effects loop etc. Orange Overdrive OD The clean channel of that amp is extremely versatile by itself and it also takes pedals very very well. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Find your retailer. Lower gain, headroom, warmth, depth. SHAi Jul 25, 8 min read. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s. But I do have lots of practice with amplifiers so do bear that in mind. FX Loop Tip! Valvestate technology altered the way everyone viewed solid state amplification. On the second channel u got on lead 1 the sound of a hot rodded jcm Preamp Tubes Tip!

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips.

Peavey Guitar Amp Head The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. The Tone Stack. If you purchase through our links, we may earn a commission don't worry, your price is not affected. Nevertheless, the ultra channel could be boosted with things like a TS booster pedal which the amp did not seem to dislike. More in this series With all the gain you could ever want, the JCM is an all-valve masterpiece. Changing the stock speaker with a 8 ohm speaker with a compatible power rating might work wonders on your headroom too. MIDI compatibility. Bogner Ecstasy B Amp Head. Mullard 12AX7s current production. Pick your environment.