Ferdi anne duy sesimi dinle

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By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. In this thesis, the importation, transformation and distribution of French popular music in Turkey during the 20th century have been investigated as a case study of cultural transfer. By using theories and methods within a cognitive semiotic framework, this study provides an overview of the phenomenon of French pop music remakes in Turkey by accounting for the initial situation of communication of remade pop music through recorded materials, and by providing an analysis of the changes made to the songs when transformed from French to Turkish, as well as the linguistic meanings that were made available to the Turkish public in this process. Meaning making procedures in connection to pop music have been considered by analyzing components of pop music, the cognitive capacities of human beings to understand pop music, and procedures of cultural communication enabling the integration of new artefacts in a culture.

Ferdi anne duy sesimi dinle

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By establishing the first year of recording, record company and performing artist through whom each song was communicated to the Turkish audience, the conditions under which the song remakes came to be, as well as their historical and social context will be made visible from a large-scale perspective. Successfully entered as an imported and transformed product in culture, pop music has the potential to function as goods and tools for understanding, acting in and narrating life, ferdi anne duy sesimi dinle. The meanings transferred to Turkey through the distribution of French pop music remakes are placed within a larger historical and cultural context of import and translation of Western artefacts in Turkey during the 20th century.

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Ferdi anne duy sesimi dinle

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Research questions For this reason, using the concept of "culture industry" , a content analysis of the lyrics of randomly selected 20 arabesque songs which give the names to the albums produced between and was conducted within the scope of proposed analysis. The most concentrated period of production occurred during a year period between , with a considerable peak in This however, occurs in some of the replacement texts in section 7. DeNora implies that musical meaning is consciously applied to music. In songs remakes multiple semiotic resources are involved, such as language, music and voice, which might be transformed to different extents depending on choices made by producers and governed by institutions. Ramesh Krishnamurti. The market can be considered as a regulating body for the successful communication of the product to the consumer. Briefly reviewing the latest approaches in song translation studies, the study proposes subcategories to the term «rewriting» to refer to instrumentation, voice and lyrics levels as «reperforming», «resinging» and «relyricizing» respectively, which altogether enable the song to be rewritten in another language. The performing artist is indicated on the top of the record as is the accompanying orchestra. Ideas related to this theme are feelings of guilt and responsibility. These companies have produced and own the rights to the French songs that have been imported to Turkey and remade to have Turkish lyrics. This is also the case with French pop music remakes in Turkey. Most of the songs transferred from French to Turkish culture between where not translated but rather replaced with new lyrics.

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In Chapter 3 a cognitive semiotic theoretical framework for investigating cultural transfer and transformation of pop music is sketched out. The purpose of this thesis has been to investigate the importation, transformation and distribution of French songs in Turkey during the 20th century as a case study of cultural transfer, and to gain an insight into the socio-cultural meanings or models of reality that have been made available for the Turkish public through these acts. Ahmad Farhan Nashar 1. She has given me great freedom to discover my own capacity in an academic work environment, at the same time as being an invaluable mentor. This period of French pop music remakes in Turkey has very likely affected the following evolution of music and pop culture in Turkey and the selection and reception of artefacts to be included in it. Litosseliti, Lia ed. In future studies, it could be interesting to focus on the performing artists of Turkish remakes of French songs and further investigate the image of the artist. This abstract, written for the purpose of promoting the book, examines the conceptualization of these iconic artists selected as period representatives. This study focuses on linguistic meanings communicated through song lyrics, however, the pop song as an artefact with its own semiotic structure and ways of being in contact with the mind are important aspects that are discussed throughout the thesis. First, the semiotic resources involved in pop music are considered, along with the human capacity to perceive music. The market ensuring the buying and the selling of music involves record stores, the sellers and buyers, but also promoting institutions of the songs, stimulating sales of the product, like television and radio. This is particularly so concerning translation proper. Hence, the entrance of French pop music in Turkey have in turn affected the repertoire of Turkish popular culture to some extent.