Fuji finepix 1000

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Other highlights include a 1cm Super Macro mode, a 3-level zoom switch, a flash hot-shoe, and a customisable Function button. How will this line-up of features square up in our test? Around a month ago, we published our review of the Fujifilm FinePix SL which we found to be an interesting camera because of the features it has for the price. Well, for a start, externally there's the flip out LCD screen. The articulation isn't fully manoeuvrable, it won't twist from side to side.

Fuji finepix 1000

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Colour is good, but some of my test shots fuji finepix 1000 quite as clear as I would have liked and there was evidence of fringing along sharp contrasts towards the edges of some frames.

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Other highlights include a 1cm Super Macro mode, a 3-level zoom switch, a flash hot-shoe, and a customisable Function button. How will this line-up of features square up in our test? Around a month ago, we published our review of the Fujifilm FinePix SL which we found to be an interesting camera because of the features it has for the price. Well, for a start, externally there's the flip out LCD screen. The articulation isn't fully manoeuvrable, it won't twist from side to side. It does flip down and up, making macro or gig photography easier to shoot. Add a 50x optical zoom to that and you're going to be taking pictures of your favourite pop artists from seven rows back. The 50x optical zoom starts at 24mm in 35mm terms and finally stops at a nostril flaring mm. Don't take that the wrong way, it certainly has functions for the novice, but this is a camera that will be favoured by someone looking to increase their knowledge in photography. Typical modes that the SL has to offer for the learning photographer include manual controls on the command dial that sits on top of the body, an external flash hot-shoe and RAW recording.

Fuji finepix 1000

Our expert, award-winning staff selects the products we cover and rigorously researches and tests our top picks. If you buy through our links, we may get a commission. Reviews ethics statement. This is a superzoom in every sense of the word. You can tell that much before you even wake it up, on account of the chunky barrel protruding from its body. It writes raw files as well as JPEGs, has a fairly generous set of manual controls and -- best of all -- costs less than you'd imagine. The SL is fronted by a massive 50x optical zoom, courtesy of a lens equivalent to mm in a conventional 35mm camera. Buying glass of that calibre for your dSLR would set you back thousands, so for the casual wildlife and sports photographer and maybe the odd private eye it's a significant draw in such a cheap and comparatively light body. Although the ribbed rubber housing might suggest otherwise, the zoom is entirely electronically controlled using either the cuff around the shutter release or a rocker on the side of the barrel that's been positioned to sit right below your thumb.

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There's also some fudging of fine detail in particularly complex areas of the shot, such as the blades of marsh grass in the image below. I'd also like to have seen a more flexible aperture priority mode. They have added a function menu to the SL, so the Main menu isn't alone. Often we'd have the camera on live display on the screen, go to press a button and the screen would switch off because it thought you were moving the camera to your face. Face Detection, Auto red-eye removal, Multi-frame playback with micro thumbnail , Protect, Crop, Resize, Slide show, Image rotate, voice memo, histogram display, exposure warning, Photobook assist, image search, Favorites, Mark for upload, Panorama, Erase selected frames. It's equal to a 35mm range of 24mm to mm. Go into supermacro and you can close into 1cm. The image stabiliser works very well but, of course, it's not going to be brilliant. Loading comments…. The best way to check instances such as this is by nudging the sensitivity up a setting to see if the problem exacerbates. Add a 50x optical zoom to that and you're going to be taking pictures of your favourite pop artists from seven rows back.

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There's an option to search for images by specifying certain parameters such as date, face, favourites, type of data or upload mark. See full bio. How will this line-up of features square up in our test? I'd also like to have seen a more flexible aperture priority mode. In fact, all the Fujifilm FinePix SL's features work well with one another and although the start up time is still nearly a second faster than a typical digital compact, we still have our reservations over the spring loaded power switch. There's also the option to upload to MyFinePix. Other highlights include a 1cm Super Macro mode, a 3-level zoom switch, a flash hot-shoe, and a customisable Function button. Images will be played full screen unless you use the zoom switch to either zoom in on details of the picture or, if you go wider, the images will tile so you can see more than one at a time. However, putting the camera onto auto ISO and being more relaxed about noise invasion, the camera will still produce frozen images. The screen on the back is bright and while the EVF is good for shooting, it's not easy to navigate a menu with a camera up to your eye. You'll save both space and an awful lot of money with the Fujifilm FinePix SL's 50x captive zoom lens. The Set-up menu is still available though. There was a very marked difference between the SL's performance under studio lighting, where it managed to keep its sensitivity down to ISO , and what it achieved using ambient light or the on-board flash, in each occasion hiking the setting to a middling ISO Furthermore, when using the flash, although it didn't cast strong shadows and so largely avoided affecting the overall balance of the shot, brighter objects such as the child's toy at the back of the scene, and the white caps of the paint pots, lost details to bleaching. Low noise image quality is very good — although that's to be expected.