Goya self portrait

Not on view.

Self-Portrait with Dr. Arrieta, the last of his many self-portraits, was executed late in his life. On recovering, he presented Arrieta with this painting which shows the physician ministering to his patient. The words at the bottom read in translation, Goya gives thanks to his friend Arrieta for the expert care with which he saved his life from an acute and dangerous illness which he suffered at the close of the year when he was seventy-three years old. He painted it in This inscription gives the canvas the look of an ex-voto, a type of religious painting still popular in Spain, which expresses gratitude for deliverance from a calamity.

Goya self portrait

The painting depicts the artist as vulnerable and fragile, presenting him as a commentary on Romantic artists. In this piece, Goya shows himself working on a large canvas, with a serious expression and focused gaze directed toward his own reflection in a small mirror. Goya was known for his passion for painting and his love of social occasions and drinking. His many self-portraits exhibit different styles, mediums, and techniques used throughout his career. In this particular work, Goya opts for a somber color palette with muted blues to highlight his introspective mood while blending himself into the background to emphasize his creative process. Interestingly, despite being known primarily as an oil painter later in life due to suffering from deafness which forced him to isolate himself more extensively from society and thus from conventional portraiture work earlier in life he had been renowned for brilliance with pastels; it being said by some contemporary critics that no one could come close to capturing likeness quite like him through those mediums. Self-portrait c. View Image in Fullscreen. Other Artwork from Francisco Goya. Esto es peor c.

Autorretratos de Goya.

The artist, with his back to the viewer shows a painting to the minister for his approval perhaps a sketch of the "Sermon of San Bernardino of Siena"? In the Museum of Agen France , there is another self-portrait of the painter posing before a canvas. The work is of the same year as the previous one, when the painter was In the Museum of Fine Arts in Boston, there is a sketch which only reveals the bust of the artist wearing a wig. In the period he painted the small self-portrait now in the Academia de San Fernando.

Not on view. Goya is regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the essence of a sitter. During his long career he produced a number of self-portraits of which, this is one of the most powerful. Goya looks directly at the viewer with mesmerizing intensity. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. Between October and February Goya suffered a serious illness which left him profoundly deaf for the rest of his life. Deprived of his hearing, the interior world that Goya must have inhabited is well expressed in this portrait, where the intensity of his thoughts seem manifest in his gaze. The head is the only carefully resolved part of the sheet, his garments are only lightly indicated.

Goya self portrait

The tilt of the head and concentrated expression of the eyes suggest that the artist has portrayed himself looking in a mirror or at the easel on which he is painting. Of the numerous self-portraits that Goya made during the course of his life, this painting, made when he was 69 years old, is perhaps the most intimate, with the exception of the likeness on his sick bed, frail and suffering, made five years later. A Self-portrait in the Prado, signed and bearing the same date discovered during recent cleaning , is similar in style and general appearance but there are slight variations in the pose and costume and in the expression of the face, which seems to reflect a more melancholy mood. The portrait remained in Goya's possession until his death, when it passed to his son.

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In the Museum of Agen France , there is another self-portrait of the painter posing before a canvas. In the painting, Goya is seated on his bed and is obviously weak from his illness. Classification Paintings. Yet the portrait seems to be somewhat introspective, a close examination of himself, conveying emotional clarity and precision. In the doctor traveled to Africa to study bubonic plague, and it is probable that the painting remained in Spain. A similar portrait can be seen in a small oil painting 20 x 14 cm. Wikipedia Cite this information. There are another two self portraits in the Metropolitan Museum of Art in New York, the first with tricorne , done in brush and sepia Lehman legacy, approx. Catalogue of the exhibition of the Academia de San Fernando. National Gallery. Other references to Christianity have also been observed by scholars, such as the portrait's apparent theme of communion, which was often found to be presented in a secular context amongst Spanish artists at the time. Francisco Goya. The painting directs its gratitude towards the physician rather than towards the church, and attributes his recovery to works of science rather than works of divinity. Nationality Spanish. Feedback We continue to research and examine historical and cultural context for objects in The Met collection.

This self-portrait, in addition to its simply resplendent beauty, is a clear and articulate commentary on the Romantic artist. Goya finds it unnecessary to look at the canvas while he paints; inspiration alone guides his brush.

Vol 3. List of works. It may remind the viewer of the frontispiece of the Caprichos. The purpose of the drawing is not known. Autorretratos de Goya. Goya cured by doctor Arrieta. The work is of the same year as the previous one, when the painter was Banner, A. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Goya appears in another print next to a woman who has been identified as the Duchess of Alba in the preliminary drawing Museo del Prado for the print Dream of Lies and Inconstancy Biblioteca Nacional, Madrid , one of the Caprichos not included in the collection. Toggle limited content width. Self-Portrait is significant within this context as it presents a scene of weakness and death, yet simultaneously provides hope and the anticipation of healing. Feedback We continue to research and examine historical and cultural context for objects in The Met collection. Contents move to sidebar hide.