how to use green screen in final cut pro

How to use green screen in final cut pro

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Green-screen keying lets you combine composite a foreground clip and a background clip into one video image. In Final Cut Pro for iPad, you can use the Green Screen Keyer effect to remove the green background in a green-screen clip or any dominant color in a background, such as a blue sky or a blue-screen backdrop , letting you replace it with another background. For best results, shoot your foreground subject against a well-lit green or blue background, and make sure the foreground subject is not wearing any items the same color as the background. In Final Cut Pro for iPad, open a project. Tap in the toolbar, then drag a clip to use as the background image from the browser to the primary storyline in the timeline.

How to use green screen in final cut pro

With the Green Screen Keyer effect, you can create a chroma key to replace a specific color in a clip with an image from another clip. For example, you can replace a green background with an image. A challenging part of creating a good chroma key is shooting the chroma key video and, in particular, using a good, well-lit background that provides a uniform color to remove. A wide variety of specialized chroma key background options are available, from chroma key paint that includes highly reflective additives to chroma key cloth or paper sheets. In the following examples, an image of a person is keyed over a scene in an empty subway station. In the Final Cut Pro timeline , add the foreground clip the chroma key clip with the color you want to remove to the primary storyline. Select the foreground clip in the timeline, then click the Effects button in the top-right corner of the timeline or press Command Tip: For best results, position the playhead at a point within the foreground clip that shows the maximum amount of the color to be keyed. The Green Screen Keyer effect analyzes the video to detect a green or blue dominant color and then removes that color. If the Select tool is not the active tool, choose it from the Tools pop-up menu above the timeline or press A. To improve the key using controls in the viewer , use the Refine Key and Strength controls to do any of the following:. Identify areas of the foreground clip that might still have some of the chroma key color showing: Click the Sample Color thumbnail image in the Video inspector and draw a rectangle in the viewer over the area where the chroma key color needs to be removed. To improve the key, you can drag the rectangle to adjust its position or drag its corners to change its size, and you can drag additional rectangles over any areas with the chroma key color still showing. Tip: Select Matte the center button in the View area in the Video inspector to see the matte that the chroma keyer is creating.

Delete the Green Screen Keyer: Swipe left over its name, then tap.

A green screen lets creators bring to life any scene they can possibly imagine. The best part is how easy green screen removal has become in recent years. There are so many incredible NLEs non-linear editors that make keying green screen footage a breeze. Programs such as Adobe Premiere Pro and After Effects allow for green-screen video to be taken care of with a simple click of a button but can be extremely costly given the subscription model that they follow. One of the best programs to remove green screens has been around for nearly two decades and is developed by Apple. Green screen in Final Cut Pro is incredibly simple to master, something only a few clicks away for most video editors.

Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought. Some features require a Mac with Apple silicon. Some features require internet access; fees may apply. Blu-ray recorder required for burning Blu-ray discs. When the revamped Final Cut Pro X first dropped, it upset many longtime users. There were legitimate issues at the time, with many features missing and an entirely new program to learn for editors that knew FCP like the back of their hands. Add to this the fact that Apple handled the update inelegantly, and it was quite the firestorm.

How to use green screen in final cut pro

Chroma-key also called "green screen" effects are a staple in video production. What FCP X effect does is allow you to make the background behind an actor transparent so you can place the actor into a different environment than a studio. However, if video editing is new to you, consider Wondershare Filmora for Mac.

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Sign in. The default setting is 1, which results in the background fully replacing the green or blue screen. You can, however, fix that, easily: Drag the Strength slider to zero. To fine-tune the effect, see the next task. Well, this definitely applies to green screen. What does it look like if you delete that selection? Looks like you've got a small selection on your face. So far so good. Note: Keyframes for the chroma and luma graphs in the Color Selection controls appear only in the Video inspector and not the Video Animation editor in the timeline. Ask a question Reset. Sign in Sign in corporate.

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User level: Level 9. Green-screen keying lets you combine composite a foreground clip and a background clip into one video image. I does what you'd expect: it sort-of reverts the areas, replacing the person with the background. Drag the slider right to make translucent regions more solid while expanding the key. To improve the key using controls in the viewer , use the Refine Key and Strength controls to do any of the following:. View in context. Erode: Drag this slider right to gradually increase transparency from the edge of the solid portion of the key inward. Aug 25, PM in response to joeypurg Apparently, FCP picked the blue from your shirt to key out, instead of the green wall. You have to select the color to be keyed in the inspector tab for the keyer filter. Aug 30, AM in response to Luis Sequeira1. To the left of the color wheel, a small graph displays the slope of chroma rolloff, the relative softness of matte edges in regions most affected by the Chroma control. I followed all your steps and am able to make changes to everything but my face. There is no effect on the color of any of the other portions of the clip to be keyed. To add additional adjustments at other playhead positions, repeat steps 3 and 4 as needed.

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