Kaşıklı oyunlar

For more information, kaşıklı oyunlar, click here and here. Dancers carry in each hand, a pair of varnished wooden spoons, one of which is inserted between thumb and forefinger and the other between the middle and ring finger- in this position they are clicked like castanets. The dancer treads with very small steps in a confined space while undulating the lower part of kaşıklı oyunlar body.

Dosyalar Tarih Non-appearence of any information about Silifke area worded wooded spoon dances within the previous studies about the area's dances has encouraged us to do a research about this subject. In the first section, the existence of wooden spoon as a instrument of rhythm and after information about Silifke Area has been given. The boundaries are put down. The area's names in the antique periods has also been mentioned.

Kaşıklı oyunlar

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But we have excluded the oturak private parties songs in this study.

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Dosyalar Tarih Folk dance musics originate from self understanding of the arrangers in a conversational way of its context and applied methods in general. These are new applications which are yet in seeking of the limits of its context and applicable methods. The teacher teaching the folk dance groups should protect the music accompanying the group while dancing. The arrangement on the notes in the melodie could be contrary to the natural structure of the dance and also of the province of this dance. Dance teachers and musicians should act by thinking the responsibility conscious against the society at first while arranging. Music comes from an individual act and in a time period, it belongs to the society. When music becomes a part of the society, it could be directed in a line of society's feelings and ideas. Polyphonic music developed and became an art first in European countries.

Kaşıklı oyunlar

Hangisi daha bilimseldir? These classifications have different characteristics. Some of them handle the subject from different aspects as well as some of them are movement-based. However, the truth is a movement-based classification. Because, the thing classified is movement and performance.

Study concentration music

Share this: Twitter Facebook. Note: The repetition of the measurements are not taken in to consideration at the analysis. It is our wish that this will be a light for the future studies. Accompanying instruments: Uc telli, Zurna and Baglama. Log in now. The variation matter in studying the musical and -V- rhythmic structures of the tunes has been considered along the options of Asst. For more information, click here and here. Why Do We Dance? In information about the Silifke area folk dances are iv- explained in the third section. Indeed, The Turkish Folk Music can be grouped in many ways when the properties it contains are taken in to consideration. In the second section information about the wooden spoon used in the area's folk dances are given and the wooden spoon cai'nes in front of us with various identities.

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Also, the method. Their arm movements are prominent, as is often the case in dances that incorporate accessories, such as handkerchiefs or tools. Share this: Twitter Facebook. The area's names in the antique periods has also been mentioned. Blog at WordPress. In many cases, the dancers are face to face as they dance apart, their hands clacking the backs of the bowls of the spoons together. We can -X- formulate what we say as in following. Our people, generally in wedding parties and in other entertainment occasions, use the articles in the surroundings as play material. The dancer treads with very small steps in a confined space while undulating the lower part of the body. The Silifke Melodies are analyzed for style of text and musical structure 1 the light of the lessons we have taken in the Main Art Branch of Social Science of İ. Why Do We Dance?