Kustom k200a-4

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Kustom k200a-4

While solid-state amplifiers traditionally earned a reputation as being of lesser sonic quality than their tube-powered bretheren something that the advent of high-end digital modelling has put to bed for the most part plenty of recording artists have turned to the durability and consistency of the transistor to provide their tones, both live and on record. Perhaps the most iconic solid-state amp of all Roland Jazz Chorus JChas been used on countless albums by almost as many notable guitarists over the years, and is rightly revered and still highly sought-after today for its massive amount of headroom and pristine clean sounds. The amp has also been famously used by artists who are better known for their distorted sounds. Adam Jones from Tool also used it as a canvas for his more effect-driven tracks on the 10, Days album. Jones is something of a solid-state aficionado, also using a Sunn Beta Lead on Lateralus. Dimebag was a hugely influential figure in popularising the use of solid-state amps in metal. Later on, he got his own signature amplifier from Randall — the Warhead, which was released in Presumably, this was used on the last Pantera album — Reinventing The Steel. In after his passing, a line of amps was created called Dime Amplification. The resulting amp line consisted of a watt head called the D, and a watt practice amp called The Blacktooth. This was touted as a watt model which was somewhat deceiving as solid-state amps were often advertised using their peak power rather than RMS power back in the late 60s.

IMO the Kustom amps sound like garbage. Music Electronics Forum. So, if understand this correctly, the effects, reverb and tremolo in kustom k200a-4 one and boost and clipper in the second channel, need the foot switch in order to be activated.

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OK, I have issues with PE. I think it was called Hot Rod. It was mostly about California car guys who customized cars. I was a bit east but they also must have read that rag out in Kansas, because it all led to the development of Kustom amps and guitars. I remember seeing my first Kustom amp around Blue sparkle vinyl. Even in an era of hippies, tuck and roll vinyl was groovy. Kustom amps were the brainchild of Bud Ross and Fred Berry of Chanute, Kansas, who came up with the idea in around A friend brought a trashed Fender Bassman amp to Ross who repaired it and re-covered it with tuck and roll, and very quickly other amps started coming in for the Ross treatment. Ross designed a companion guitar in , but that, according to Ross, got expropriated by the Holman-Woodell factory in Neodesha, Kansas, and became one of their Wurlitzer models.

Kustom k200a-4

Still, a few brands earned praise and lasting respect on the basis of either their sounds, appealing looks or both. Kustom offered those vinyl wraps in a range of colorful metallic-sparkle options, including the Charcoal Sparkle shown on this Kustom KB amp. However, several serious players of the day knew Kustom had something to offer on the inside, too. This KB was billed as a watt model, although a watt RMS rating might have been more realistic; many solid-state amps of the day were advertised using their peak power rather than RMS power. The two-channel head has one Normal channel with controls for volume, bass and treble and a bright switch, and a Bright channel with additional speed and intensity controls for its tremolo, as well as reverb. It stands on a matching ported 2x15 cab, although some were sold with mammoth 3x15 cabs. Inside the chassis is old-school solid-state construction. It looks less like the innards of your defunct VCR — the way many modern-day solid-state amps do — and more like the circuit layout of a tube amp from the era, minus the tubes. Construction was relatively robust, and these things tended to do pretty well on the road, although they were certainly manufactured with an eye on the bottom line. With no master-volume controls at all, Kustom amps were intended for loud, clean playing.

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Posts Latest Activity Photos. Jones is something of a solid-state aficionado, also using a Sunn Beta Lead on Lateralus. Media New media New comments Search media. Logging in We take the world's most exciting guitarists to our favourite guitar stores for a bit of retail therapy…. Those are the correct A series boards. Search forums. Filtered by:. Members Registered members Current visitors New profile posts Search profile posts. Logging in Jazz P Bass. Search Advanced search…. Only problem is I'm not sure theyre working.

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The Fender RocPro was a hybrid amp… which means, in this case, the clean channel is solid state, while the overdrive is powered by a single 12AX7 preamp tube. I did try connecting to ground the ones without voltage and nothing. But by far for me, the most mind-boggling effect was the fourth one, which was a vibrato-tremolo effect — and you could blend between tremolo and vibrato. Login or Sign Up. Between that and his Teisco Tulip, the sound was terrible. You could change the two Zeners and increase the voltages up to 23 volts or you could add a couple of three pin voltage regulators. Anyway I finally can hear all effects. Grounding them, as in hard wiring and using the controls doesn't work right. Based on the recent interview excerpted below, this is my attempt: I was playing a Kustom KA[-4], which was an amazing rig. Posts Latest Activity Photos. Has there been any mods done to this board? Is there a wiring for a pedal? Originally posted by pontiacpete View Post. Attached Files. How is the boost circuit powered?