Main character is the villain

Most anime protagonists are decent folks. Maybe they make some mistakes or bad decisions, but they mean well. While these kinds of main characters are common, they're not universal.

A movie's protagonist is often an inherently heroic person. They do the right thing, save the day, and focus on making things better for others. Anti-heroes are still heroic in their own ways, even if their methods or personalities are not. However, in some films, the main character is unquestionably the villain. Villainous main characters may have redeeming features, and they may even win the audience's sympathy, but these villains are not good people. They work toward evil ends, torment others, and commit all manner of terrible deeds. Such a protagonist can be hard to write without losing the audience, but some villainous protagonists have gone down in cinematic history.

Main character is the villain

Well, most of us, anyway. But that usually means being the antagonist. After all, heroes are supposed to be moral and just and blah blah blah. They almost sound like opposites. That might not mean a superhero, but it could be someone trying to find love, start a charity, or really any other goal that us good folks might have. In reality, a protagonist is the lead of the story. So, if protagonists are the lead of the story trying to accomplish a goal, antagonists are the counterforce getting in the way of that goal. If we have a villain protagonist, perhaps the antagonists are actually heroes. Or maybe the antagonist is an even worse villain. Instead, remember it this way:.

Few "villains" in movie history are more sympathetic than Carrie White, the mercilessly bullied teenager of Stephen King's debut novel who uses her nascent telekinetic powers to take bloody revenge on her tormentors during the film's now-legendary high school prom.

In most cases, viewers watch television shows because of a relatable hero with a noble cause. Sometimes, however, a show comes along that makes audiences want to root for the bad guy. As they are sometimes defined, villain protagonists or anti-heroes can be just as compelling as traditional protagonists. Villain protagonists have complex paths they take on their way to evildoing. Some are born evil, some become evil, and some shift between good and evil as it suits them. Whatever path they're on, they show audiences that sometimes, people do the wrong thing for what they see as the right reasons. But, of course, it's up to viewers to decide if those reasons are genuinely justified.

R min Biography, Comedy, Crime. Based on the true story of Jordan Belfort , from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government. R min Crime, Drama, Thriller. During the s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure. R min Crime, Drama. The early life and career of Vito Corleone in s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate. PG min Biography, Crime, Drama. Barely 17 yet, Frank is a skilled forger who has passed as a doctor, lawyer and pilot.

Main character is the villain

Well, most of us, anyway. But that usually means being the antagonist. After all, heroes are supposed to be moral and just and blah blah blah. They almost sound like opposites. That might not mean a superhero, but it could be someone trying to find love, start a charity, or really any other goal that us good folks might have.

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The controversial A Clockwork Orange followed the government's attempt to rewrite Alex's morality to "rehabilitate" him and its horrific implications. In reality, the elders of his world wanted to get rid of him. But, on the flip side, the writers give Nucky a sense of fairness and loyalty that redeem him in the eyes of fans. Death Note poses an important question: D oes any one person have the right to decide who lives and who dies? Tragedy Girls offered a different and contemporary take on the slasher movie by having a pair of teenage girls be the killers, not the victims. The show features an ongoing internal monologue from Joe, which gives viewers intimate access to his twisted motivations. Whether freelancing as an editor, blog writer, or ghostwriter, Doug is a big fan of the power of words. Recapping: our villain protagonist needs the effort and love every other character needs, but they also need to balance the fine line of being relatable, despicable, and realistic. This is the internal journey your villain protagonist goes through while moving along the plot of your story. Tyler was simply the narrator's power fantasy and evil impulses come to life. The audience saw his human side and were invited to laugh with him. Sort of, but not quite. She's past caring at that point, of course, but as understandable as her rage may be, it doesn't excuse her monstrosity. Her destruction of the school prom kills almost everyone in the building, including people who had been trying to help her and others completely unconnected to her torment.

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Lou tampers with evidence, commits blackmail, sets up people to die, and much worse, all to be paid well and for the thrill of recording the most graphic and sensational footage Los Angeles' nightlife has to offer. This helps viewers form a close connection with this disturbed character, for better or worse. Maybe they even have some fans or acolytes. Do you know what makes a bad act worse? Most of us will draw the line somewhere, but that line will be much different for your evil lead, if it exists at all. Updated on January 2nd, by George Voutiritsas: There are now hundreds of television shows that can be viewed at any given time, and there is literally something for everyone. The two create the titular fight clubs together, only for Tyler to attempt to turn them into a nationwide terrorist organization. The show centers around Dexter Morgan, a serial killer who works as a bloodstain pattern analyst for the Miami Metro Police Department. No matter what, they're doing something wrong, and it's the antagonist's job to try and stop them. The family depicted in the show may be fictional, but the gang is based on one that existed in real life. Akane works for the MWPSB, a police-like organization that has the authority to kill anyone who is labeled a "latent criminal" by the Sybil System, a mysterious program that assesses people's likelihood of committing crimes. He is quick with an insulting joke or belittling comment and genuinely doesn't care about others' feelings. While these kinds of main characters are common, they're not universal. While she does eventually begin to feel remorse, her merciless killing and her tendency to torture her victims do paint the grim and bloody picture of a villain.