Mobley hank

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Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art. Taylor na perkusji. Tone Poet to ekskluzywna seria wydawnicza Blue Note zapoczątkowana w roku, by uczcić Serię Tone Poet produkuje Joe Harley. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Don't Get Too Hip A2.

Mobley hank

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Serię Tone Poet produkuje Joe Harley.

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The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era. When he was 16, an illness kept him in the house for several months. In response, his grandmother bought him a saxophone to help him occupy his time. At 19, he started to play with local bands and, months later, worked for the first time with such musicians as Dizzy Gillespie and Max Roach. He later appeared on two Roach sessions recorded in and for EmArcy records. Shortly after working with Roach, he began working regularly with another drummer and bandleader, Art Blakey. He and Blakey took part in one of the earliest hard bop sessions, alongside pianist Horace Silver , bassist Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver and the Jazz Messengers.

Mobley hank

This is a discography of American jazz musician Hank Mobley. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. American jazz musician discography.

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Share this site: more. Twój komentarz został dodany i będzie widoczny jak tylko zatwierdzi go moderator. Don't Get Too Hip A2. This description however was translated by jazz connoisseurs as though Mobley was mediocre. Polityka prywatności. Please login to post a shout. Follow us: twitter facebook rss. Register Login. Zasady reklamacji. Teunis van der Zwart, Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz. Nie Tak.

His solo lines were full of intricate rhythmic patterns that were delivered with spot-on precision, and he was no slouch harmonically either. He soon started playing professionally in the area, and built enough of a reputation that trumpeter Clifford Brown recommended him for a job without having heard him play.

Polityka prywatności. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Stay signed in. The Mobe B2. Thanks to snobb for the updates. Zasady dostawy. Please login to post a shout. Teunis van der Zwart, On The Bright Side wydano: more info: www. Zasady reklamacji. Don't Get Too Hip A2. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz.