Native instruments razor review

Razor is an additive synthesizer built with the Native Instruments Reaktor technology. Razor was created as a joint effort between Native Instruments and Errorsmitha Berlin-based music producer and a well-known Reaktor instrument designer.

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms.

Native instruments razor review

A lot of VST synths are trying to recreate and preserve the past. This made a lot of sense until the big analogue synth revival started about eight years or so ago. Now, in , we're practically tripping over new, affordable analogue synths from Korg, Arturia, the modular manufacturers and so on. Part of me has always thought that really, computers should be used to do things that are still impossible in the physical domain. Razor is such a synth. Because it uses hundreds of partials to craft its whole sound - from the oscillators to the filters to the reverbs - it's a synth that simply couldn't have existed in the 80s or 90s. What does it sound like? Brutal, crystalline, precise, clean, robotic, powerful. I like it. When it came out it seemed to be marketed as a 'dubstep' synth, which is a shame, as dubstep isn't the 'latest thing' any more. However, this synth can do glacial pads, futuristic leads and tinkling bells with ease, too. I sometimes use the vocoder function, and because the carrier signal is so mathematically 'pure', consisting of stacks and stacks of sine waves, it sounds really special. Great sounding, affordable, additive synth that is intuitive to use.

Discover the magic of neofolk music and learn how to make your own neofolk song with Spotlight Collection: Ireland, native instruments razor review, using…. Its job is to put a gentle twist on the classic bass sound, and it does so neatly and unfussily, striking a balance between weight and precision.

Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show. The Sheffield producer has long balanced an avant-garde sensibility with dazzling sonic clarity. When pushed to its extremes, Razor does just that.

Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show. The Sheffield producer has long balanced an avant-garde sensibility with dazzling sonic clarity. When pushed to its extremes, Razor does just that.

Native instruments razor review

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms. The dual oscillator section provides a wide arsenal of timbres, ranging from typical analog-style waveforms to unconventional models like "Primes", "Sick Pitchbend" and "Hoover Sync". The two filter sections offers 20 different filter types including innovative formant, vowel and waterbed models. A further section provides an arsenal of unique "Dissonance Effects" that further contribute to the unmistakable, charismatic sonic footprint of the instrument.

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The first effects panel, Dissonance, creates timbres that, coupled with modulation, are spot-on for sci-fi FX, dubstep warbles and futuristic soundscapes. It's based on additive synthesis, with up to partials individual sine waves. Not to mention a lesser? Speaking of modulation, most of the parameters in each section can be connected to a variety of different modulation sources , and defining desired modulation settings is a quick and easy task. March 5, 2. Paired with powerful fine-tuning features — did somebody say Safe Bass? Also in the news link. Cons - CPU-hungry at times. The Sheffield producer has long balanced an avant-garde sensibility with dazzling sonic clarity. Simple to use. Brutal, crystalline, precise, clean, robotic, powerful. Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance. Mark Fell — Materialisation epic razor chord and LatelyBass version with found voice. Consider us duly humbled. Learn about the unique characteristics of electro swing music, its history, as well as how to make electro swing music….

Childs IV on Jan 15, in Review 0 comments. If, either, you own Native Instruments' Razor, or you're thinking about purchasing it, now would be the time.

Easy but powerful modulation system. The six available dissonance effects can change the sound dramatically, and are a perfect tool for creating weird, out-of-this-world kind of noises. It is a very powerful sound design tool , and fun to use both for those experienced with synthesizers and the ones who are making their first steps into the amazing world of sound synthesis. New forum posts Re: Baffled by studio wiring. Quality-wise, it's top-drawer, with reduced quality options to save CPU it is fairly CPU-intensive, while we're on the sub. March 5, 2. I should revisit it next time I'm in the studio. How to make a melodic techno track Learn what melodic techno music is and how to make a melodic techno track that features melodic progressions, atmospheric sounds,… Komplete January 3, Brutal, crystalline, precise, clean, robotic, powerful. The saw type dubstep sounds you can make with this are amazing! Same goes for the echo effect which is generated using the echo envelope and can also be modulated in interesting ways. Equally twisted are the two filter sections, each with an almost entirely different set of 11 types, with only low-pass and band-pass shared between them. Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. What does it sound like?