Sony cyber shot dsc rx1r ii

It features a A Bionz X processor is included, the latest Sony processor available. Sony has managed to do this while only adding a couple of mms to the dimensions of the camera.

The Sony RX1R II takes what made the original so remarkable -- compact size, full-frame sensor and stunning image quality -- and takes it up to a new, even more impressive level. The image quality, at both low and high ISOs, is just as fantastic, if not more so, thanks to the big resolution increase. Plus, the nifty variable low-pass filter technology adds flexibility and convenience. Not all of us can justify the expense of a fixed-lens camera with a pricetag of several thousand dollars, even if it does sport a full-frame image sensor. So how do you top those cameras? The answer, it seems, is to combine them into a single model offering the best of both worlds, courtesy of a groundbreaking new variable low-pass filtering function. If you switch back and forth between, say, shooting landscapes where you want to gather every last detail, and shooting man-made subjects with lots of high-frequency detail, we really can't overstate this: Variable low-pass filtering could be quite revolutionary for your photography.

Sony cyber shot dsc rx1r ii

Now, with the introduction of the Sony RX1R II, Sony's uber-premium compact camera takes a big leap forward with nearly double the pixel count, vastly improved autofocus performance, and a rather innovative adjustable optical low-pass filter system. As mentioned, the predecessors' image quality was excellent, and that is still true with this new model, but even more so. With a megapixel backside-illuminated full-frame sensor, the camera packs in even more resolving power. Image quality is fantastic, particularly at low to moderate ISO's straight out of the camera. Furthermore, as is characteristic of recent Sony cameras, the dynamic range performance from the RX1R II is outstanding. One of the all-new features of this camera is its unique variable optical low-pass filter. Unlike the predecessor, which was offered in two models -- one with an OLPF and one without -- the Sony RX1R II lets you adjust the strength of an actual optical low-pass filter, or disable it completely. The system works very well. Images do indeed show increased detail when not using the OLPF, and if you can't decide which filter setting to choose for a given subject, the camera includes an OLPF bracketing mode! While overall, the lens is nice and sharp, we did find noticeable vignetting if in-camera shading correction is turned off the camera also bakes-in vignetting correction to RAWs, so keep that in mind if you like to do you own corrections. The macro-mode performance of the lens is also a little lacking, as we found with the earlier RX1 models, too. Furthermore, the fixed, single focal length lens could be a limitation depending on what you photograph the most.

This last is changed using a small slider on the side of the finder, making it a bit tough to change accurately. Sony RX VA. Not a lot has changed design-wise compared to the original, at least at first glance.

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It features a A Bionz X processor is included, the latest Sony processor available. Sony has managed to do this while only adding a couple of mms to the dimensions of the camera. In order to release the electronic viewfinder, you need to push down a lever on the far left hand side of the camera. This makes for a smooth transition between using the screen and the finder, and more akin to using a traditional camera. The aperture ring has numerical markings for each aperture stop, and lines for the third stops in between. As you turn the aperture ring, it clicks which is quite satisfying, but could have an impact on sound for video.

Sony cyber shot dsc rx1r ii

The high-resolution sensor, the addition of the viewfinder and the variable optical low pass filter are great features; but there are enough reasonably small niggles to add up to a less than perfect offering. Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. Eight years on, it is now one of a very select band of full-frame compact cameras — and still has features that make it stand out from other fixed lens cameras. Sony has stuck with the classic 35mm focal length as with its very similar predecessor the RX1R, and this wide-angle focal length is versatile for landscapes, portraits, architecture and street photography. Viewfinder : 0. As the screen is not touch-sensitive, each control must be adjusted physically: aperture is altered using a ring around the lens, while exposure compensation can be adjusted via a dedicated dial. Colours are beautifully saturated too. Image processing and zooming to check critical focus are also slow because of the large file sizes. The amount of fine detail the RX1R II is capable of resolving is absolutely superb, but uncompressed raw files can be around 80MB each.

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Another change enabled by the new image sensor and processor is a much broader sensitivity range. This probably comes as a consequence of the huge file sizes that a 42 MP sensor produces raw files are around 80MB. The autofocus system gets a major upgrade, and now the RX1R II is a much more capable camera in a wider variety of situations. Navigate Review Jump to review page Now, with the introduction of the Sony RX1R II, Sony's uber-premium compact camera takes a big leap forward with nearly double the pixel count, vastly improved autofocus performance, and a rather innovative adjustable optical low-pass filter system. This is really quite an innovation, as the amount of the effect is continuously variable, and as noted, it avoids any limit on maximum shutter speed. Aperture F For street photography, traveling and some landscapes, the 35mm lens is perfectly suited to handle these subjects, and the added resolution makes cropping even more practical. And likely to best the A7R II with an equivalent lens as well, since the company can more precisely align the lens and sensor and bring the pair much closer in a fixed-lens camera like the RX1R II. The right-hand image has had some sharpening applied in Photoshop. Upgrading Sony RX1 and RX1R owners -- and we're sure there will be more than a few -- will feel right at home here, with next to no learning curve at all. A deeper look at performance and new features In the first section of my Field Test, I mainly focused on the Sony RX1R II's design and build quality as well as its general-use performance and image quality. However, on the inside, the camera packs a sizeable array of new features, new technologies and upgrades that should improve both performance and image quality.

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A Bionz X processor is included, the latest Sony processor available. It's pretty difficult to see much of a difference between images taken with it on or off, especially at normal printing sizes. Sony RX10 IV. Don't get us wrong: It's a really nice eyecup, and it answers a key complaint we had with the RX IV finder. And because the eyecup could easily catch on something and get lost, it's not just a matter of sliding it in place, either. Hopefully, something Sony RX1R II owners wouldn't have had too much call to use anyway, given the camera's high sensitivity and the presence of a hot shoe for external strobes. Upgrading Sony RX1 and RX1R owners -- and we're sure there will be more than a few -- will feel right at home here, with next to no learning curve at all. Image quality is fantastic, particularly at low to moderate ISO's straight out of the camera. Buffer clearing is rather slow, for starters, but the poor battery life leaves a lot to be desired. Panasonic LX Leica X-U Typ Sony A The system works very well. Zeiss ZX1. We've seen cameras with low-pass filters, ones without them, and recently, the Pentax K-3, that had a mechanically-simulated one.