Top 100 of the 70s

The Xmas.nails Hot is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.

Shaking off the naturalism, daisy chains, and acid tabs of the s was easier than expected. The s unfurled as a paradox of both striking diversity and remarkable coherence: From high-concept prog nerds and high-octane guitar solo to high-heeled glam-rockers and rough-and-ready punks, the decade saw the rise and dominance of the album-as-unified-statement. Now, in , Pitchfork takes the opportunity to present this list of its favorite albums of the s. Not so for Mr. Young, who was just hitting his stride as the decade turned over, kicking off a run of 11 great albums in 10 years with After the Gold Rush. Holed up in his Topanga Canyon home writing a soundtrack for a never-made Dean Stockwell—scripted film, Young invited his friends to join him on alien-abduction ballads, preachy Skynyrd-provoking jams, and lovesick nocturnal country-blues.

Top 100 of the 70s

The s was a fantastic decade for music, with so many different genres setting the charts alight. We may have mourned the demise of The Beatles in , but the decade also brought glam rock, disco, punk, new wave, funk and more. Whatever kind of music you preferred, there was something for everybody, and everyone looked fabulous all the while. We've picked ultimate key tracks that summed up the s. Is your favourite in there? Read more: Roxy Music's 10 greatest ever songs. Bryan Ferry originally wrote this for his solo album In Your Mind and his follow-up The Bride Stripped Bare , but it was finally included on the next Roxy collection. Despite not reaching number one, it was one of the ten best-selling singles of in the UK. As ever, Bryan Ferry oozed cool with this song, while bridging the gap between their glam rock past and new wave future. Despite being known as a schmaltzy boyband, The Osmonds released this surprisingly brilliant hard rock track in

Twenty-five years later, the record still moves—an astoundingly diverse, ambitious, and inspired bit of politically charged punk rock, as relevant and revolutionary today as it was in

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The s was a fantastic decade for music, with so many different genres setting the charts alight. We may have mourned the demise of The Beatles in , but the decade also brought glam rock, disco, punk, new wave, funk and more. Whatever kind of music you preferred, there was something for everybody, and everyone looked fabulous all the while. We've picked ultimate key tracks that summed up the s. Is your favourite in there?

Top 100 of the 70s

By Rolling Stone. And who needs Dr. Frankenstein when you have Dr. During the day, this outer-borough everyguy sells paint and bickers with his Italian-American family. But when the sun goes down and the lights at the local discotheque go up, Tony is a god. This was the movie that turned the Welcome Back, Kotter kid into a genuine star, as well as selling mainstream America on what had mostly been an underground club culture and giving the Bee-Gees a serious second-wind boost. He worked on it a long time. Orson Welles is at his slipperiest in this essay film, as he imports his gift for telling plummy tall tales on the talk-show circuit to a feature-film format. He starts by focusing on notorious art forger Elmyr de Hory, only to iris back and turn the proceedings into a meditation on the nature of truth itself, as well as the myths we tell ourselves to imbue our lives with meaning. Even as a minor gem, F for Fake shines bright in his back catalog.

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Bryter Later shows an emboldened, perhaps unwillingly extroverted Drake, one who is less intimate but no less essential. However, He needed a three-syllable name to fit the melody, so 'Sweet Marcia' didn't work. The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed. This pulsating glam rock track was inspired by an incident in , when the Sweet were performing at the Grand Hall in Kilmarnock, and were driven offstage by a barrage of bottles. So, Singles Going Steady is our lone homage to the glorious, usually chaotic, often homemade punk single. A little history lesson for you there. Tempered hope and humor steal every priceless tune, but also, it was , and things were getting pretty weird. By , rock and pop were becoming ever more electronic or fixated on progression. The song relates to concerns about mixed attitudes towards 20th-century inventions and machines for the media arts. No one who was there quite remembers who played what, and to even further muddy the mud, it was wrapped up in a warped, alien American flag what sort of stars are those?

This article is about the American Billboard Hot chart held during the s. The Billboard Hot chart is the main song chart of the American music industry and is updated every week by the Billboard magazine.

This was one of the Police's first songs, and gave them a headstart as one of the biggest new wave bands around in the late s. Blinking melodies emerge precipitately and almost accidentally, churned by sweltering marimbas and chilled vibraphones. As he detoxed from celebrity and controlled substances, he righted himself by immersing in art, striking up a collaboration with Brian Eno—former wildcard in Roxy Music—while retaining his partnership with Tony Visconti, the producer who first worked with Bowie in Do they actually sleep inside sealed plastic pods? This six-minute suite, featuring several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda, is often voted the greatest song ever made. He began writing the song only days after the band Cockney Rebel's split. Or we think we can. Bob Dylan - Tangled up in Blue Audio. It is one of the most famous songs to have never been released as a single. Bernie Taupin wrote the song's lyrics after breakfast on the roof of 20 Denmark Street, London, where Elton worked for a music publishing firm as an office boy, inspiring the line: "I sat on the roof and kicked off the moss". Few bands could get away with such grandiosity, but Pink Floyd were shameless in their ambition. Simon has said in the past that the song refers to three men, but only one of whom she has named publicly is actor Warren Beatty. If disco had a Beatles it was certainly the Bee Gees, although they never should have tried to make it official by raiding the wardrobe of a certain lonely hearts club band. After Collins played the unused sequence at rehearsal one day, Van Zant asked him to repeat it, then wrote out the melody and lyrics in four minutes.