Jat embroidery

Dhanetah Jat women design and produce exquisite, labour-intensive embroidery.

In the Gujarat state of India, the Kutch region is renowned for its fine folk, colourful and mirrored embroideries. Traditionally stitched by village women, for themselves and their families, to create festivity, honor deities, or generate wealth, this craft has passed on for generations from mother to daughter. While embroideries contributed to the substantial economic exchange required for marriage and fulfilled other social obligations which required gifts - unlike most crafts they were never commercial products. Each community in Kutch , due to historical, socio-economic and cultural factors, has a distinct tradition, its own and unique style of embroidery, different motifs, combination of stitches, patterns and colours that give them a visual identity. The identity of every Kutchi person is woven in the stitches of these embroideries. Things seen in daily lives: flowers and bushes, peacocks and camels, women doing household chores and men tending to cattle, all these are inspirations for these beautiful designs. Trying to respond to the current trends, the traditional styles have evolved over time though.

Jat embroidery

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. There was no attempt at story-telling as in embroideries found in some other parts of India. However, in recent times, certain communities have begun to expand their narrative and depict stories of life and situations around them. Kutch Embroideries: Old embroideries help to create reference pieces for preserving styles and developing new designs Dastkari Haat Samiti. A sampler piece of Jat embroidery made in the 21st century, following traditional stitches. The Jats are said to have travelled from Halaf, between Iraq and Iran.

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Kachchh Embroidery. See Kachchh Embroidery. In Maiwa staged an exhibition of Kachchh embroidery. Read about that exhibition here. Below, meet some of the communities Maiwa works with:. Rabari are expert camel breeders, cattle herders and shepards.

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work.

Jat embroidery

Craft is a living creative industry made from the hands of skilled artisans and generations-old tradition. Kutch is known for the colorful silken threads that decorate traditional Kanchlies and Kanjaries worn by Kutchie women. Embroidery is the most visible and recognized craft in Kutch. Color and craftsmanship are not limited to Kutch embroideries. For generations, Kutch has been home to nomadic communities whose traditional work of animal husbandry and craft have lent to each other forming a rich economic and cultural tapestry. Today, Kutch is a confluence of various art, craft, and music forms. Migration brought the distinctive elements of craft traditions from Sindh and Northern India to Kutch. While craft constitutes the second largest sector of the Indian economy second only to agriculture , in Kutch, craft and agriculture are parallel economies. Unfortunately, many natural disasters have denigrated Kutch livelihoods. This dependence coupled with limited access to raw materials and markets has resulted in the vulnerability of Kutch artisans and their craft traditions.

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See Kachchh Embroidery. This panel depicts the wetlands of Chaari Dand where herders bring their camels during the breeding season every year. However, in recent times, certain communities have begun to expand their narrative and depict stories of life and situations around them. They began selling their embroidery only fifteen years ago in order to survive droughts. The identity of every Kutchi person is woven in the stitches of these embroideries. This embroidery piece is one of a kind. This is a common feature with all desert communities. Trying to respond to the current trends, the traditional styles have evolved over time though. Women embellish their Environment. In this style, the artisan works out the structure of geometric patterns with an outline of black squares , then fills in the spaces with bands of satin stitching that are worked along warp and weft from the front. Even the tying strings are handmade by winding different coloured threads around plain cloth cords.

It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery. The hub of the Kutch embroidery work is basically located in the regions of Kutch and Saurashtra wherein the local artisans churn out the most creative and exquisite designs. From mirror and bead work to Abhala embroidery along with the usage of silk threads of bright colors, the Kutch embroidery basically ornate the entire fabric and embellishes it completely.

The Rabari women care for their children, churn milk into buttermilk and butter, and spend considerable time embroidering. These groups have discovered, however, that by doing high-quality work they can find more stable markets and better returns for time spent embroidering. In an oral culture the stitched language records everything of importance from the epic to the personal. Embroidery is an integral part of Rabari life. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. Very few Meghwars are landowners; some herd livestock, some men are letherworkers and many work as labourers. Translate with Google. As their stature as wage earners increased, restrictions on movement outside the village have relaxed. The goal is financial self-determination and empowerment through education and a clear sense of the value of their work. There was no attempt at story-telling as in embroideries found in some other parts of India. Rabari are Hindu and are devout worshipers of the mother goddesses. Below, meet some of the communities Maiwa works with:.