John moulder brown married

A British—West German co-production, filmed in London and Bavaria, and written and directed by a Pole, you might question this being a British film. Beware, though, that a number of smaller roles went to German actors and some of their dubbed dialogue veers towards the dodgy at the start of the film. Shy, inarticulate and clumsy, Mike John Moulder-Brownis fifteen but comes across as immature even for that age, john moulder brown married.

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John moulder brown married

Sign In Sign In. New Customer? Create account. John Moulder-Brown Actor. Play trailer Vampire Circus Contact info Agent info Resume. Add to list. View contact info at IMDbPro. Photos Known for:. Deep End. Michael 'Mike' as John Moulder Brown. The Devil in the Fog.

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Moulder-Brown was born in London and began his acting career as a child. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects.

I had problems in Poland with my film Hands Up! It had a strong anti-Stalinist message and the government withdrew it from the Venice film festival and banned it. So I took the first available project, just to make a living. The studio made us come to London for editing. While there, a Polish friend told me a story about something that had just happened: a diamond was lost for ever after being dropped in snow. Then I worked backwards. Where could you melt snow? Ideally, a swimming pool. Where do you find this swimming pool?

John moulder brown married

The wholesome, sensibly glamorous, well-spoken redhead whom TV viewers in their thirties or beyond may remember as the face of McVitie's biscuits or as Jeremy Irons's fussy, ailing wife in Brideshead Revisited, is a long way removed from her role in Skolimowski's soon to be re-released film. Deep End is a swinging s British coming-of-age story with a morbid and darkly erotic undertow. Skolimowski was a Polish poet and former boxer whose career has always unfairly been overshadowed by that of his close friend, Roman Polanski for whom he wrote Knife in the Water. She relished working with the Polish director. I didn't know much else about him. He is very charismatic, very attractive and very Slavic.

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The parallel is inescapable. Only lately, thanks to Cinephiles here in LA,called The American Cinematheque,the film has been made available,so is "Ludwig", but there were many others,too,including Maximilian Schell's stunning rendition of Turgenev's"First Love". I still hope to come to IMDb one of these days and find out that he has resumed his work as a film actor. After all these years I can only think of him as a brother to whom today I send all my love and wish a truly wonderful new journey around the sun. Create an account. And have you managed to see him in the two films? Vampire Circus. I wondered if Deep End could have been a particularly fortunate meeting of the right actor with the right director in the right context. Moulder-Brown was born in London and began his acting career as a child. Recently viewed.

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Then going to the movies on foot or otherwise will once again be as exciting as it was at the time when I chanced to see an absolute gem of a film that opened with a boy on a bike on his way to his first day of work. Gosh, it was full of typos and errors! It was just the kind of film that might easily have remained unreleased in Brazil. Hillary's 6 Picks for March and Beyond. And if anybody ever tells you that everything the s was either grey or beige, feel free to refer them to Jane Asher in her long yellow vinyl mac and blazing red hair. I can't believe you could kill your brother. Or Albert Finney in full stream, like in Under the Volcano. Contents move to sidebar hide. Mad scenes are notoriously difficult to play. A really strange film, very charged with symbolism, it oscillated between some absolutely fascinating moments and a few totally incomprehensible scenes, suggesting that, just like Ludwig it may have gone through bad editing. Judging by his behaviour as he does so, he may have become involved with Susan when she was his pupil. I bought it and was amazed at how much had been left out, including a great number of scenes in which, with incredible subtlety, John Moulder-Brown builds the mad scene up to its climax. By the early s he appeared to have parted ways with cameras altogether.