Yamaha stagepas 300 pa system

By Bob Kovacs. The speaker cabinets, measuring about 18 x 11 x 10 inches H x W x Dare made from a tough black composite material that gives them a serious heft.

Remove the rear panel of the speaker and put in the things you need. Crisp highs Punchy mids. Big, fat bass. Its exceptional high-quality and power makes it ideal for almost any PA application. Its rugged, durable construction makes it perfect for the road. Versatile application features Flexible placement options let you stand the speakers up or lay them on their sides.

Yamaha stagepas 300 pa system

Photo: Mark Ewing. An affordable complete vocal PA you can carry from the car to the stage in one trip! Yamaha's Stagepas is a surprisingly compact yet reasonably powerful stereo sound system comprising a pair of moulded, passive two—way speakers and a small powered mixer that stows into a recess in the rear of one of the speaker cabinets for transport or storage. The other speaker has a similar recess with a removable cover for stowing cables or mics. Given that the system's mixer-amp is little larger than a decent box of chocolates, that is quite remarkable. Sadly, the accompanying documentation doesn't say what kind of amplifier technology is being used, but to make the amp this small and light I suspect that they're using some kind of Class—D circuit or, at the very least, a switch—mode power supply. The speaker cabinets, which measure approximately 18 x 11 x 10 inches, are moulded from a tough, resilient plastic with no obvious resonances but, unusually, they don't have a pole—mount fitting built in. You have to buy external stand adaptors as accessories if you wish to stand—mount the speakers, which seems rather odd to me, as how else would you use them? Both speakers are identical, so either one can hold the mixer amp while the other can be used to store the supplied speaker and power cables or a couple of mics. To secure the mixer into the rear of the speaker, there are two twist locks that can be opened with any suitable coin, and the mixer is stowed 'controls out', so that it can be used while still fitted to the speaker if necessary although the front panel would then be 'sideways on' to the user, if the speakers were being used upright.

Photo: Mark Ewing. Class D is very efficient, allowing smaller power supplies to be used.

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Yamaha stagepas 300 pa system

Welcome to our review of the Yamaha Stagepas , a powerful and portable PA system that is perfect for musicians on the go. This portable PA system consists of two moulded, passive two-way speakers and a small powered mixer. The mixer stows neatly into a recess in one of the speaker cabinets, making it easy to transport. The speaker cabinets are made of tough plastic and are designed to withstand the rigors of gigging.

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Reprinted from Pro Audio Review. Passive crossovers inside the speakers operate at 4kHz, and a strong, perforated—steel grille protects the cone driver. It's solid enough to withstand a lot of abuse, powerful enough to fill the typical bar or small church, simple enough to use with two-minutes' practice and flexible enough to handle both speech and performance applications. With the convenient Monitor Out jack and the angled sides of the cabinet, you can even use one of the speakers as a floor monitor. Or use the optional ADP adapter to put the cabinets on speaker stands, high above the heads of your audience for optimum projection. Crossovers can be two—way, just splitting highs and lows; three—way, adding a mid band; and occasionally four—way. The Stagepas is good value for small-venue sound reinforcement where there is no requirement to play back low-frequency material at high sound levels. Maximum SPL is a respectable dB which, considering that the whole system weighs only 18kg, is pretty impressive. A preset limiter, with corresponding red LED on the mixer's front panel, is included in the amplifer section to protect against hard clipping. Plugging in the included mains and 5m speaker leads takes just moments, after which you're ready to go. This may be a budget system but it is built to the usual Yamaha standards of engineering. As the mixer is stowed 'knobs out', you need to be reasonably careful how you pack it in your car, unless you have the optional gig bag, which I'd highly recommend. The speaker cabinets, measuring about 18 x 11 x 10 inches H x W x D , are made from a tough black composite material that gives them a serious heft. Steel handles help to protect the front of the mixer when stowed, and although the main body of the mixer housing is made from resilient plastic, the front panel is metal and all the jacks are fixed with metal nuts, not plastic ones.

The new STAGEPAS i and i are complete, all-in-one sound solutions that are extremely portable and easy to set up, allowing users to instantly add high quality sound reinforcement to virtually any environment. The two lightweight speakers and a detachable mixer, along with one pair of speaker cables and a power cord, combine into an attractive, compact package that provides the kind of portability that no roadie would ever dare to dream of.

Mid-bass was just right for male vocals. The amplifier claims a rather optimistic maximum power of W per channel into six ohms, but a more reasonable expectation is W per channel. Remove the rear panel of the speaker and put in the things you need. Jargon Explained Class-D Amplifier: One in which the output transistors are operated, effectively, as switches, being either fully off or fully on, with the audio signal modulating controlling the switching action. Versatile application features Flexible placement options let you stand the speakers up or lay them on their sides. Ready to perform — wherever you go! However, the sound was impressively balanced when I was on axis, with tight bass and clean highs. Or use the optional ADP adapter to put the cabinets on speaker stands, high above the heads of your audience for optimum projection. It's solid enough to withstand a lot of abuse, powerful enough to fill the typical bar or small church, simple enough to use with two-minutes' practice and flexible enough to handle both speech and performance applications. The narrow horn 'throat' constricts the volume of air into which the driver radiates, hence the 'compression' part of the name. Photo: Mark Ewing. It's also well suited to basic conference work. Achieving the right mix literally took a couple of seconds, as this system is perhaps the easiest to adjust that I have ever used. I feel it's best suited to solo acts and duos working the pub circuit, although it can double as a rehearsal PA and a stage monitor system for larger bands.